"Elsewhere embodiment takes its revenge, beginning with “Cursed,” a series of small raggedy sheets of various metals, some toxic, that are each stamped with one of the grandiose, grammatically challenged tweets Donald J. Trump began issuing soon after taking office as the country’s 45th president. Hung in a line near the lobby, these curse tablets descend to a poisonous heap on the floor."

thank you, jenny holzer

https://www.nytimes.com/2024/05/16/arts/design/jenny-holzer-guggenheim-art-signage.html

Spent a snowy weekend afternoon revisting "Rivers & Tides" which is 20 years old now and still seems to hold all the answers.

Great to watch it with an under-10 viewer, too, and then to see the film's (and artist's) motif repeated in her brother's hair.

https://en.wikipedia.org/wiki/Rivers_and_Tides

another Great Moment on Instagram, tucked into this incredible profile of Deana Lawson from Jenna Wortham. https://www.nytimes.com/2021/05/05/magazine/deana-lawson.html

Really wish I'd been able to go to Athens for one of Paul Pfeiffer's public talks '16-18. At least there's this insightful interview on the latest episode of "Barbara London Calling" https://pca.st/futmhtra

tfw you explain the work of JSG Boggs to a 7-year old and they get it, intuitively. https://en.wikipedia.org/wiki/J._S._G._Boggs

I miss Tunbjork.

Incredible work from Sitka, Alaskan, Nicholas Galanin, whose work was just selected for the 2019 Whitney Biennial.

From October, chiming with this morning's look at "Is This a Room" in NYT: https://www.nytimes.com/2018/12/30/theater/reality-winner-tina-satter-half-straddle.html

Hard to express how much I enjoy stopping for a few minutes in the library at Emory to admire this incredible bronze death mask (via plaster caster, just after he passed away) of James Joyce. One of nine made. Both haunting and enlivening.