"Elsewhere embodiment takes its revenge, beginning with “Cursed,” a series of small raggedy sheets of various metals, some toxic, that are each stamped with one of the grandiose, grammatically challenged tweets Donald J. Trump began issuing soon after taking office as the country’s 45th president. Hung in a line near the lobby, these curse tablets descend to a poisonous heap on the floor."
thank you, jenny holzer
https://www.nytimes.com/2024/05/16/arts/design/jenny-holzer-guggenheim-art-signage.html
Spent a snowy weekend afternoon revisting "Rivers & Tides" which is 20 years old now and still seems to hold all the answers.
Great to watch it with an under-10 viewer, too, and then to see the film's (and artist's) motif repeated in her brother's hair.
another Great Moment on Instagram, tucked into this incredible profile of Deana Lawson from Jenna Wortham. https://www.nytimes.com/2021/05/05/magazine/deana-lawson.html
Really wish I'd been able to go to Athens for one of Paul Pfeiffer's public talks '16-18. At least there's this insightful interview on the latest episode of "Barbara London Calling" https://pca.st/futmhtra
tfw you explain the work of JSG Boggs to a 7-year old and they get it, intuitively. https://en.wikipedia.org/wiki/J._S._G._Boggs
Incredible work from Sitka, Alaskan, Nicholas Galanin, whose work was just selected for the 2019 Whitney Biennial.
From October, chiming with this morning's look at "Is This a Room" in NYT: https://www.nytimes.com/2018/12/30/theater/reality-winner-tina-satter-half-straddle.html